Moon Line - Silver

I worked with brass for years before I ever touched silver. To be honest, I was not planning a transition, partly because of my silver allergy, but it happened simply because people started asking for it. At some point, I allowed myself to try.

From the first moment, silver felt different. There was nobility in it. A more restrained, cooler presence. It needed a different kind of approach and attention than brass, with less force and more listening.

Working with silver required me to slow down even further. I had to observe how it behaves, how it responds to heat and handwork, and how much control and focus it needs. That kind of attention didn’t stay only on a physical level. It naturally pulled me inward as well.

With silver, I had to step out of familiar habits. Things I did instinctively with brass no longer worked the same way. I had to rethink gestures, decisions, and approaches. That process became a form of reflection, not only about technique, but about myself and how I move through my creative process with this noble material.

Visually, silver carries a cooler and more refined presence. It just sits lightly on the body, and reflects rather than absorbs. That quality naturally connects it to inward attention and observation.

For me, the Moon Line represents a phase of refinement and clarification. 

Within the Material Lines, Moon is the second stage of the inner process.
After growth and expansion comes a return inward... a pause and a subtle restructuring.

This meaning hasn’t changed for me over time. When I work with silver today, it still brings the same sense of focus, and inner clarity. Some forms only make sense to me in this material, because they need that softness and that contained presence.

The Moon Line remains a space of refinement.
A place where things become clearer, calmer, and more intentional.